![]() ![]() In addition, the MōVI Pro is equipped with an integrated monitor, which is located on the back of the gimbal and thus offers basic control elements and on which, for example, settings can be made. You can find out which cameras these are by clicking here. This also means that the gimbal is compatible with almost all cameras. This makes the MōVI Pro the lightest camera stabilizer on the market. The MōVI Pro weighs a total of 2.65 kg and has a loading capacity of 6.8 kg. Now that we have had this, it is time for all of the major features and capabilities of the MōVI Pro. So be clear about how you intend to use the camera and apply it fully before you start balancing the camera. Even a memory card, lens cap or camera battery is enough to unbalance the camera. Mastering this skill is therefore essential.Īn important note is that you must fully equip your camera with all accessories before you can balance. If this happens too often, it can result in the engines burning out. A poorly balanced unit will cause the motors to work too hard and the battery to drain too quickly. This isn’t only important for the MōVI Pro, but for all camera stabilization systems.īefore balancing, first mount all camera accessories … Make sure you don’t forget to remove the lens cap!īalancing the Gimbal System is an essential skill to master. Because we wouldn’t be your camera rental if we couldn’t save you tons of Google research and hours of YouTube videos.īefore we get into how the MōVI Pro works, it’s important to explain balancing. Of course we haven’t only done this for ourselves, but also for you. We first wondered this ourselves and watched many videos, read articles and tested extensively to understand how the MōVI Pro really works. ![]() This gimbal is a lightweight, portable system that allows users to quickly and easily create world-class video content. The MōVI Pro is known as one of the most advanced camera stabilization systems ever developed. Camera and lens package is standard, don’t be afraid to ask about 360 cameras, specialty rigging, cable cams, RC Cars, etc.You probably know or have heard of Freefly’s MōVI Pro camera stabilization system. Rigging equipment to mount Blackarm/vehicle rigging available, as well as rope and pulley systems.Ĭheck out the gallery below for some previous Movi builds. Pipe Clamp to Mitchell Mount for Gimbal or Killshock Kessler Killshock Vibration Isolator for rigging to off of vehicles, dollies, jibs, overheadsĬinemilled 2” Reciver Adapter for Killshock Remote control of Movi parameters and tuningĢx SmallHD Cine 7 Monitors with built in Teradek Receiverġ Teradek Bolt 500 Receiver (Extra SDI/HDMI Receiver to mount to any video village monitors) Pan/Tilt control from a tripod head in Mimic Mode Inovativ Cart provides mobile workstation with baby pin for mounting monitors and other equipmentģ axis FIZ control (Full FIZ available upon request)įully customizable Pan, Tilt, Roll, Focus, Iris, Zoom control WK Slingshot 2.0 Rig provides optimal operator support with a boom range of 10+ Feet from the groundĮartec UltraLITE Open Mic Headset (4 Headsets) enable discrete communication between Directors, DP, Crew Ninja Star adapter and Mitchell tie down for mounting Movi to any rigging: Jib, Dolly, Slider, Tripod, Overhead Rig Tilta Nucleus for Single Op Focus/Iris/Zoom Control Heden Lens Motor compatible with Movi Pro integrated FIZ from Movi Controller Upgraded TB50 Batteries provide all day power for cameras and accessories Tilt Offsets and Counterweights for properly balancing most any camera system and lens combo Standard Arri Dovetail baseplate reduces need to strip down camera and enables extremely fast switching from Movi to Handheld/Studio setup. This enables more time to plan, block and rehearse shots and ultimately tell a better story through camera movement. This also makes traveling with kit a breeze. By working off his own cart, he can efficiently move around set or from location to location with all the essentials in one place. By the time crew has had their first cup of coffee, the Movi is typically up and ready to roll. The only prep needed is building the camera into the Movi, which ideally can be taken care of during a prep day. Matt typically arrives to set with all equipment in 2 Pelican cases on an Inovativ cart ready to go. Additionally, by owning his own equipment, in the event there is an issue, Matt can quickly assess and troubleshoot the problem. By owning all of his own equipment listed below, he streamlines the workflow on set and minimizes downtime caused by working with rented equipment, wireless connectivity issues, compatibility between systems and trouble integrating. Matt owns an ever expanding and versatile Movi Pro Gimbal package. ![]()
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